Showing posts with label Steven Spielberg. Show all posts
Showing posts with label Steven Spielberg. Show all posts

Monday, December 29, 2008

Steven Spielberg

Steven Spielberg: A Biography
by Joseph Mcbride

Writing a biography is tough enough when the subject is dead and the biographer must rely on a paper trail and recollections of contemporaries to relate the essence of the man or woman's life. When the subject still lives--and especially when he is as powerful as Steven Spielberg--a whole new set of problems emerge. For one thing, it's difficult to find anyone willing to criticize a man who pulls as many strings in the film industry as Spielberg; for another, how does one evaluate a career that is still in progress? If the definitive Spielberg biography cannot yet be written, Joseph McBride's Steven Spielberg: A Biography will suffice in the interim. Though certainly affected by the aforementioned constraints, McBride still creates an impressive portrait of the man behind Schindler's List, E.T., Jurassic Park, and many, many more.

McBride is especially effective at limning the contours of Spielberg's childhood. Born in 1946 to Arnold and Leah Spielberg, the young Steven endured both frequent moves and his parents' unhappy domestic life. These factors, combined with the anti-Semitism he encountered as a teenager, drove the introverted Spielberg to seek approval through filmmaking. In addition to exploring Spielberg's private life, McBride offers some perceptive criticism of his work. Anyone interested in the film industry and Spielberg's place in it will find Joseph McBride's Steven Spielberg a valuable resource.

Steven Spielberg: Interviews

Steven Spielberg: Interviews
(Conversations With Filmmakers Series)

by Lester D. Friedman

Steven Spielberg has become a brand name and a force that extends far beyond the movie screen. Phrases like "phone home" and the music score from Jaws are now part of our cultural script, appearing in commercials, comedy routines, and common conversation.

Yet few scholars have devoted time to studying Spielberg's vast output of popular films despite the director's financial and aesthetic achievements. Spanning twenty-five years of Spielberg's career, Steven Spielberg: Interviews explores the issues, the themes, and the financial considerations surrounding his work. The blockbuster creator of E.T., Jaws, and Schindler's List talks about dreams and the almighty dollar.

"I'm not really interested in making money," he says. "That's always come as the result of success, but it's not been my goal, and I've had a tough time proving that to people."

Ranging from Spielberg's twenties to his mid-fifties, the interviews chart his evolution from a brash young filmmaker trying to make his way in Hollywood, to his spectacular blockbuster triumphs, to his maturation as a director seeking to inspire the imagination with meaningful subjects.

The Steven Spielberg who emerges in these talks is a complex mix of businessman and artist, of arrogance and insecurity, of shallowness and substance. Often interviewers will uncover the director's human side, noting how changes in Spielberg's personal life -- marriage, divorce, fatherhood, remarriage -- affect his movies. But always the interviewers find keys to the story-telling and filmmaking talent that have made Spielberg's characters and themes shape our times and inhabit our dreams.

"Every time I go to a movie, it's magic, no matter what the movie's about," he says. "Whether you watch eight hours of Shoah or whether it's Ghostbusters, when the lights go down in the theater and the movie fades in, it's magic."