Under Spring: Voices+Art+Los Angeles

Under Spring: Voices+Art+Los Angeles
by Jeremy Rosenberg


The winner of the first CHS Book Award reimagines what a history book can be, and it tells a story all California needs to hear in order to understand itself. Beneath Los Angeles’s North Spring Street bridge, a deteriorated concrete landscape was used for years as a homeless encampment and a buffer zone between gang territories. Between 2006 and 2013, artist Lauren Bon and her Metabolic Studio team transformed the underpass into a vibrantly creative space that served as a public square, ceremonial ground, art gallery, community garden, and musical instrument. Under Spring explores the unlikely history of this underpass, revealing the past of Los Angeles itself.

 Sixty-six people from all walks of life—artists, scholars, laborers, graffiti artists, urban planners, activists, gang members—chronicle the underpass’s many metamorphoses, and in doing so construct an energized account of change and development in LA. We come to understand how agriculture and transportation have shaped the city’s growth; how abandoned places serve as refuges for people excluded from society; and how civic pride can arise from a city’s blighted core. Under Spring offers a new look at the story of Los Angeles and a new way of telling the story.

Barcelona: The Civic Stage

Barcelona: The Civic Stage
by Robert Goldston

Mr. Goldston is enormously sensitive to the look and feel and life style of Barcelona and his first few pages are tantalizing. But his purpose is not simply to exalt "a congeniality, satisfaction and inner order which is to be found in practically none of the world's other large cities"; he intends that its past should be a lesson to it, that its near-present should be a lesson to us, that its future should be a universal concern--and along the way the argument falters. After surveying the history of the city, he focuses on the amenities of each historic quarter and the factors which together distinguished Barcelona--which is all well and good if hardly novel (the terms of analysis are as old as Lewis Mumford's 1938 The Culture of Cities and some go back to Camillo Sitte [1889]) or unique--as he concedes later, similar conditions existed elsewhere. The late arrival of Barcelona to the modern world is his strongest point but now that it has arrived, the bulwarks of a humane existence are crumbling (as they have elsewhere), which he also acknowledges: "Religious forms and influence. . . are facing disintegration"; "the economic 'stand-off' between those eager to exploit the city for their profit and those who have seen in the city's preservation their principal means of protecting themselves against exploitation is coming to an end too"; "and Catalan apartness, the sense of Barcelona's civic independence which has preserved so many cultural forms and activities. . . is also vanishing." What is the remedy? The book's greatest weakness is that Mr. Goldston not only evinces no acquaintance with the more sophisticated solutions of modern city planning (decrying the encroachment of the car, he offers no alternatives) but also that he holds to the "villain" theory of urban development; if capitalist exploitation is to be countered, the city will need to adapt as well as preserve. Mr. Goldston knows the good life when he sees it but he doesn't show how Barcelona can hold on to it or how the rest of us can attain it. And of course there may be some people who prefer punctuality and supermarkets. . . but this review is too long already.

The Fabrication of Louis XIV

The Fabrication of Louis XIV
by Peter Burke

Louis XIV was a man like any other, but the money and attention lavished on his public image by the French government transformed him into a godlike figure. In this engrossing book, an internationally respected historian gives an account of contemporary representations of Louis XIV and shows how the making of the royal image illuminates the relationship between art and power. Images of Louis XIV included hundreds of oil paintings and engravings, three hundred-odd medals struck to commemorate the major events of the reign, sculptures and bronzes, as well as plays, ballets (in which the king himself sometimes appeared on stage), operas, odes, sermons, official newspapers and histories, fireworks, fountains and tapestries. Drawing on an analysis of these representations as well as on surviving documentary sources, Peter Burke shows the conscious attempt to 'invent' the image of the king and reveals how the supervision of the royal image was entrusted to a committee, the so-called 'small academy'. This book is not only a fascinating chronological study of the mechanics of the image-making of a king over the course of a seventy-year reign but is also an investigation into the genre of cultural construction. Burke discusses the element of propaganda implicit in image-making, the manipulation of seventeenth-century media of communication, the channels of communication (oral, visual and textual) and their codes (literary and artistic), and the intended audience and its response. He concludes by comparing and contrasting Louis's public image with that of other rulers ranging from Augustus to contemporary American presidents.