"The Lottery"
by Shirley Jackson
"The Lottery" is a short story by Shirley Jackson, written in June 1948 and first published in the June 26, 1948 issue of The New Yorker. The story describes a small town in contemporary America which has an annual ritual known as "the lottery". It has been described as "one of the most famous short stories in the history of American literature," as well as being described as "a chilling tale of conformity gone mad."
Response to the story was negative, surprising Jackson and The New Yorker. Readers canceled subscriptions and sent hate mail throughout the summer. The story was banned in the Union of South Africa. Since then, it has been accepted as a classic American short story, subject to critical interpretations and media adaptations, and it has been taught in middle schools and high schools for decades since its publication.
Showing posts with label Shirley Jackson. Show all posts
Showing posts with label Shirley Jackson. Show all posts
Wednesday, February 4, 2015
Tuesday, November 11, 2014
"The Beautiful Stranger"
"The Beautiful Stranger"
by Shirley Jackson
In “The Beautiful Stranger,” Margaret, a housewife unhappy in her marriage, retrieves her husband at the train station, despising “the sight of his hands on the wheel” as they drive home. It’s never clear what’s gone wrong between them; we know only that Margaret considered his business trip “a good time to get things straight” and to “try to get a hold of myself again.” Suddenly, though, when they get home, Margaret realizes that the man she’s picked up is not the same one she dropped off. Her husband has been replaced by a double. The two of them never raise the subject, though Margaret believes they are both in collusion about the switch, and the narrative, streamed through her narrow perspective, denies us an answer about the “stranger’s” true identity. Is Margaret suffering from Capgras delusion? Or has she simply chosen, for her own happiness, to believe her husband is someone else? Is he truly another man? Are suburban husbands really that indistinguishable?
by Shirley Jackson
In “The Beautiful Stranger,” Margaret, a housewife unhappy in her marriage, retrieves her husband at the train station, despising “the sight of his hands on the wheel” as they drive home. It’s never clear what’s gone wrong between them; we know only that Margaret considered his business trip “a good time to get things straight” and to “try to get a hold of myself again.” Suddenly, though, when they get home, Margaret realizes that the man she’s picked up is not the same one she dropped off. Her husband has been replaced by a double. The two of them never raise the subject, though Margaret believes they are both in collusion about the switch, and the narrative, streamed through her narrow perspective, denies us an answer about the “stranger’s” true identity. Is Margaret suffering from Capgras delusion? Or has she simply chosen, for her own happiness, to believe her husband is someone else? Is he truly another man? Are suburban husbands really that indistinguishable?
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