Germinal

Germinal
by Emile Zola

The Turn of the Screw

The Turn of the Screw
by Henry James

Adventures of Huckleberry Finn

Adventures of Huckleberry Finn
by Mark Twain

The Portrait of a Lady

The Portrait of a Lady
by Henry James

The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880–81 and then as a book in 1881. It is one of James's most popular long novels, and is regarded by critics as one of his finest.

The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "affronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period, this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.

James's first idea for The Portrait of a Lady was simple: a young American woman affronting her destiny, whatever it might be. Only then did he begin to form a plot to bring out the character of his central figure. This was the uncompromising story of the free-spirited Isabel losing her freedom—despite (or because of) suddenly coming into a great deal of money—and getting "ground in the very mill of the conventional". It is a rather existentialist novel, as Isabel is very committed to living with the consequences of her choice with integrity but also a sort of stubbornness.

Return of the Native

The Return of the Native
by Thomas Hardy

The Return of the Native is Thomas Hardy's sixth published novel. It first appeared in the magazine Belgravia, a publication known for its sensationalism, and was presented in twelve monthly installments from January to December 1878. Because of the novel's controversial themes, Hardy had some difficulty finding a publisher; reviews, however, though somewhat mixed, were generally positive. In the twentieth century, The Return of the Native became one of Hardy's most popular novels.

With its deeply flawed heroine and its (for the time) open acknowledgement of illicit sexual relationships, The Return of the Native raised some eyebrows when it first appeared as a serial in Victorian Britain. Although he intended to structure the novel into five books, thus mirroring the classical tragic format, Hardy submitted to the tastes of the serial-reading public sufficiently to tack on a happy ending for Diggory Venn and Thomasin in a sixth book, Aftercourses. In Hardy's original conception, Venn retains his weird reddleman's character, while Thomasin lives out her days as a widow.

Hardy's choice of themes—sexual politics, thwarted desire, and the conflicting demands of nature and society—makes this a truly modern novel. Underlying these modern themes, however, is a classical sense of tragedy: Hardy scrupulously observes the three unities of time, place, and action and suggests that the struggles of those trying to escape their destinies will only hasten their destruction. To emphasise this main part he uses as setting an ancient heath steeped in pre-Christian history and supplies a Chorus consisting of Grandfer Cantle, Timothy Fairway, and the rest of the heathfolk. Eustacia, who manipulates fate in hopes of leaving Egdon Heath for a larger existence in Paris, instead becomes an eternal resident when she drowns in Shadwater Weir; Wildeve shares not only Eustacia's dream of escape, but also her fate; and Clym, the would-be educational reformer, survives the Weir but lives on as a lonely, remorseful man.

Some critics—notably D. H. Lawrence—see the novel as a study of the way communities control their misfits. In Egdon Heath, most people (particularly the women) look askance at the proud, unconventional Eustacia. Mrs. Yeobright considers her too odd and unreliable to be a suitable bride for her son, and Susan Nunsuch, who frankly believes her to be a witch, tries to protect her children from Eustacia's supposedly baleful influence by stabbing her with a stocking pin and later burning her in effigy. Clym at first laughs at such superstitions, but later embraces the majority opinion when he rejects his wife as a murderer and adulteress. In this view, Eustacia dies because she has internalised the community's values to the extent that, unable to escape Egdon without confirming her status as a fallen woman, she chooses suicide. She thereby ends her sorrows while at the same time—by drowning in the weir like any woman instead of floating, witchlike—she proves her essential innocence to the community.

Anna Karenina

Anna Karenina
by Leo Tolstoy

Anna Karenina is a novel by the Russian writer Leo Tolstoy, published in serial installments from 1875 to 1877 in the periodical The Russian Messenger. Tolstoy clashed with editor Mikhail Katkov over political issues that arose in the final installment (Tolstoy's negative views of Russian volunteers going to fight in Serbia); therefore, the novel's first complete appearance was in book form in 1878.

Widely regarded as a pinnacle in realist fiction, Anna Karenina recounts St. Petersburg aristocrat Anna Karenina's life story at the backdrop of the late-19th-century feudal Russian society. Having considered War and Peace not a novel, Tolstoy considered Anna Karenina his first true novel. Fyodor Dostoyevsky declared it "flawless as a work of art." His opinion was shared by Vladimir Nabokov, who especially admired "the flawless magic of Tolstoy's style," and by William Faulkner, who described the novel as "the best ever written." The novel remains popular, as demonstrated by a 2007 poll of 125 contemporary authors in Time, which declared that Anna Karenina is the "greatest book ever written."

Anna Karenina is the tragic story of a married aristocrat/socialite and her affair with the affluent Count Vronsky. The story opens when she arrives in the midst of a family broken up by her brother's unbridled womanizing—something that prefigures her own later situation, though she would experience less tolerance by others.

A bachelor, Vronsky is eager to marry her if she will agree to leave her husband Karenin, a senior government official, but she is vulnerable to the pressures of Russian social norms, the moral laws of the Russian Orthodox Church, her own insecurities, and Karenin's indecision. Although Vronsky and Anna go to Italy, where they can be together, they have trouble making friends. Back in Russia, she is shunned, becoming further isolated and anxious, while Vronsky pursues his social life. Despite Vronsky's reassurances, she grows increasingly possessive and paranoid about his imagined infidelity, fearing loss of control.

A parallel story within the novel is that of Konstantin Levin, a wealthy country landowner who wants to marry Princess Kitty, sister to Dolly and sister-in-law to Anna's brother Oblonsky. Konstantin has to propose twice before Kitty accepts. The novel details Konstantin's difficulties managing his estate, his eventual marriage, and his personal issues, until the birth of his first child.
The novel explores a diverse range of topics throughout its approximately thousand pages. Some of these topics include an evaluation of the feudal system that existed in Russia at the time—politics, not only in the Russian government but also at the level of the individual characters and families, religion, morality, gender and social class.

Crime and Punishment

Crime and Punishment
by Fyodor Dostoevsky

Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoyevsky's full-length novels following his return from 10 years of exile in Siberia. Crime and Punishment is considered the first great novel of his "mature" period of writing.

Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov, in attempts to defend his actions, argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin. He also commits the murder to test a theory of his that dictates some people are naturally capable of such actions, and even have the right to perform them. Several times throughout the novel, Raskolnikov compares himself with Napoleon Bonaparte and shares his belief that murder is permissible in pursuit of a higher purpose.

From Reliable Sources

From Reliable Sources: An Introduction to Historical Methods
by Martha C. Howell and Walter Prevenier


From Reliable Sources is a lively introduction to historical methodology, an overview of the techniques historians must master in order to reconstruct the past. Its focus on the basics of source criticism, rather than on how to find references or on the process of writing, makes it an invaluable guide for all students of history and for anyone who must extract meaning from written and unwritten sources.

Martha Howell and Walter Prevenier explore the methods employed by historians to establish the reliability of materials; how they choose, authenticate, decode, compare, and, finally, interpret those sources. Illustrating their discussion with examples from the distant past as well as more contemporary events, they pay particular attention to recent information media, such as television, film, and videotape.

The authors do not subscribe to the positivist belief that the historian can attain objective and total knowledge of the past. Instead, they argue that each generation of historians develops its own perspective, and that our understanding of the past is constantly reshaped by the historian and the world he or she inhabits.

A substantially revised and updated edition of Prevenier's Uit goede bron, originally published in Belgium and now in its seventh edition, From Reliable Sources also provides a survey of western historiography and an extensive research bibliography.

Silas Marner

Silas Marner: The Weaver of Raveloe
by George Eliot (Mary Ann Evans)

Silas Marner: The Weaver of Raveloe is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

The major theme of Silas Marner is of course the influence of "pure, natural human relationships," but there are several others. Some of these are never the subject of a direct statement, but constant repetition brings them to the reader's attention, and the novel draws some sort of conclusion about them. One of these themes is the function of religion in society. Another is the use of custom and tradition. There is a more direct consideration, focused on Nancy, of the extent to which "principle" should predominate over sympathy in human relationships. This is closely connected to the question of indulgence versus discipline in human life, as exemplified by the home life of Godfrey and of Nancy. A theme may be mentioned only indirectly and yet be quite explicit in its meaning. One such in Silas Marner is the effect of industrialisation on English society in the nineteenth century. Lantern Yard after the factory has been built is a grimy, dark place full of unhealthy people. There is a sharp contrast between the grim unfriendliness of Lantern Yard and the community spirit of Raveloe, between Silas' life (likened to that of a spinning insect) and the fresh air of the open fields.

In Silas Marner, Eliot combines symbolism with a historically precise setting to create a tale of love and hope. On one level, the book has a strong moral tract: the bad character, Dunstan Cass, gets his just deserts, while the pitiable character, Silas Marner, is ultimately richly rewarded, and his miserliness corrected. The novel explores the issues of redemptive love, the notion of community, the role of religion, the status of the gentry and family, and impacts of industrialisation. While religion and religious devotion play a strong part in this text, Eliot concerns herself with matters of ethics and interdependence of faith and community.

Madame Bovary

Madame Bovary
by Gustave Flaubert

Madame Bovary (1856) is the French writer Gustave Flaubert's debut novel. The story focuses on a doctor's wife, Emma Bovary, who has adulterous affairs and lives beyond her means in order to escape the banalities and emptiness of provincial life.

When the novel was first serialized in La Revue de Paris between 1 October 1856 and 15 December 1856, public prosecutors attacked the novel for obscenity. The resulting trial in January 1857 made the story notorious. After Flaubert's acquittal on 7 February 1857, Madame Bovary became a bestseller in April 1857 when it was published as a single volume. The novel is now considered Flaubert's masterpiece, as well as a seminal work of literary realism and one of the most influential novels.

Moby Dick

Moby-Dick; or, The Whale
by Herman Melville

Moby-Dick; or, The Whale is a novel by American writer Herman Melville, published in 1851 during the period of the American Renaissance. Sailor Ishmael tells the story of the obsessive quest of Ahab, captain of the whaler Pequod, for revenge on Moby Dick, the white whale which on an earlier voyage destroyed his ship and severed his leg at the knee. The novel was a commercial failure and out of print at the time of the author's death in 1891, but during the 20th century its reputation as a Great American Novel was established. William Faulkner confessed he wished he had written it himself, and D. H. Lawrence called it "one of the strangest and most wonderful books in the world", and "the greatest book of the sea ever written". "Call me Ishmael" is among world literature's most famous opening sentences.

The product of a year and a half of writing, the book draws on Melville's experience at sea, on his reading in whaling literature, and on literary inspirations such as Shakespeare and the Bible. The detailed and realistic descriptions of whale hunting and of extracting whale oil, as well as life aboard ship among a culturally diverse crew, are mixed with exploration of class and social status, good and evil, and the existence of God. In addition to narrative prose, Melville uses styles and literary devices ranging from songs, poetry, and catalogs to Shakespearean stage directions, soliloquies, and asides.

Dedicated to Nathaniel Hawthorne, "in token of my admiration for his genius", the work was first published as The Whale in London in October 1851, and under its definitive title in New York in November. Hundreds of differences, mostly slight and some important, are seen between the two editions. The London publisher censored or changed sensitive passages and Melville made revisions, as well, including the last-minute change in the title for the New York edition. The whale, however, appears in both editions as "Moby Dick", with no hyphen. About 3,200 copies were sold during the author's life.

The Scarlet Letter

The Scarlet Letter
by Nathaniel Hawthorne

The Scarlet Letter: A Romance is an 1850 work of fiction in a historical setting, written by Nathaniel Hawthorne, and is considered to be his "masterwork". Set in 17th-century Puritan Boston, Massachusetts, during the years 1642 to 1649, it tells the story of Hester Prynne, who conceives a daughter through an affair and struggles to create a new life of repentance and dignity. Throughout the book, Hawthorne explores themes of legalism, sin, and guilt.

Elmer Kennedy-Andrews remarks that Hawthorne in "The Custom-house" sets the context for his story and "tells us about 'romance', which is his preferred generic term to describe The Scarlet Letter, as his subtitle for the book – 'A Romance' – would indicate." In this introduction, Hawthorne describes a space between materialism and "dreaminess" that he calls "a neutral territory, somewhere between the real world and fairy-land, where the Actual and the Imaginary may meet, and each imbues itself with nature of the other". This combination of "dreaminess" and realism gave the author space to explore major themes.

Gulliver's Tavels

Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships
by Jonathan Swift

Gulliver's Travels (1726, amended 1735), is a prose satire by Irish writer and clergyman Jonathan Swift, that is both a satire on human nature and a parody of the "travellers' tales" literary subgenre. It is Swift's best known full-length work, and a classic of English literature.

The book became popular as soon as it was published. John Gay wrote in a 1726 letter to Swift that "It is universally read, from the cabinet council to the nursery." Since then, it has never been out of print.

Part I: A Voyage to Lilliput
Part II: A Voyage to Brobdingnag
Part III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan
Part IV: A Voyage to the Country of the Houyhnhnms

The Pilgrim's Progress, Part 1

The Pilgrim's Progress, Part 1
by John Bunyan

The Pilgrim's Progress from This World to That Which Is to Come; Delivered under the Similitude of a Dream is a 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of religious English literature, has been translated into more than 200 languages, and has never been out of print.

Bunyan began his work while in the Bedfordshire county prison for violations of the Conventicle Act, which prohibited the holding of religious services outside the auspices of the established Church of England. Early Bunyan scholars such as John Brown believed The Pilgrim's Progress was begun in Bunyan's second, shorter imprisonment for six months in 1675, but more recent scholars such as Roger Sharrock believe that it was begun during Bunyan's initial, more lengthy imprisonment from 1660 to 1672 right after he had written his spiritual autobiography, Grace Abounding to the Chief of Sinners.

Christian, an everyman character, is the protagonist of the allegory, which centres itself in his journey from his hometown, the "City of Destruction" ("this world"), to the "Celestial City" ("that which is to come": Heaven) atop Mount Zion. Christian is weighed down by a great burden—the knowledge of his sin—which he believed came from his reading "the book in his hand" (the Bible). This burden, which would cause him to sink into Hell, is so unbearable that Christian must seek deliverance.

The Pilgrim's Progress, Part 2

The Pilgrim's Progress, Part 2
by John Bunyan

The Second Part of The Pilgrim's Progress presents the pilgrimage of Christian's wife, Christiana; their sons; and the maiden, Mercy. They visit the same stopping places that Christian visited, with the addition of Gaius' Inn between the Valley of the Shadow of Death and Vanity Fair, but they take a longer time in order to accommodate marriage and childbirth for the four sons and their wives. The hero of the story is Great-Heart, a servant of the Interpreter, who is the pilgrims' guide to the Celestial City. He kills four giants called Giant Grim, Giant Maul, Giant Slay-Good, and Giant Despair and participates in the slaying of a monster called Legion that terrorizes the city of Vanity Fair.

The passage of years in this second pilgrimage better allegorizes the journey of the Christian life. By using heroines, Bunyan, in the Second Part, illustrates the idea that women as well as men can be brave pilgrims.

Alexander M. Witherspoon, professor of English at Yale University, writes in a prefatory essay:

Part II, which appeared in 1684, is much more than a mere sequel to or repetition of the earlier volume. It clarifies and reinforces and justifies the story of Part I. The beam of Bunyan's spotlight is broadened to include Christian's family and other men, women, and children; the incidents and accidents of everyday life are more numerous, the joys of the pilgrimage tend to outweigh the hardships; and to the faith and hope of Part I is added in abundant measure that greatest of virtues, charity. The two parts of The Pilgrim's Progress in reality constitute a whole, and the whole is, without doubt, the most influential religious book ever written in the English language.

Jane Eyre

Jane Eyre
by Charlotte Bronte



Jane Eyre (originally published as Jane Eyre: An Autobiography) is a novel by English writer Charlotte Brontë. It was published on 16 October 1847, by Smith, Elder & Co. of London, England, under the pen name "Currer Bell." The first American edition was published the following year by Harper & Brothers of New York.

Primarily of the bildungsroman genre, Jane Eyre follows the emotions and experiences of its title character, including her growth to adulthood and her love for Mr. Rochester, the Byronic master of fictitious Thornfield Hall. In its internalisation of the action—the focus is on the gradual unfolding of Jane's moral and spiritual sensibility, and all the events are coloured by a heightened intensity that was previously the domain of poetry—Jane Eyre revolutionised the art of fiction. Charlotte Brontë has been called the 'first historian of the private consciousness' and the literary ancestor of writers like Joyce and Proust. The novel contains elements of social criticism, with a strong sense of morality at its core, but is nonetheless a novel many consider ahead of its time given the individualistic character of Jane and the novel's exploration of classism, sexuality, religion, and proto-feminism.

Oliver Twist

Oliver Twist, or The Parish Boy's Progress
by Charles Dickens

Oliver Twist, or The Parish Boy's Progress, is the second novel by Charles Dickens, and was first published as a serial 1837–9. The story is of the orphan Oliver Twist, who starts his life in a workhouse and is then sold into an apprenticeship with an undertaker. He escapes from there and travels to London where he meets the Artful Dodger, a member of a gang of juvenile pickpockets, which is led by the elderly criminal Fagin.

Oliver Twist is notable for Dickens's unromantic portrayal of criminals and their sordid lives, as well as exposing the cruel treatment of the many orphans in London in the mid–nineteenth century. The alternate title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress, as well as the 18th-century caricature series by William Hogarth, A Rake's Progress and A Harlot's Progress.

An early example of the social novel, Dickens satirizes the hypocrisies of his time, including child labour, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own youthful experiences contributed as well.

Shogun

Shogun: A Novel of Japan
by James Clavell

Shōgun is a 1975 novel by James Clavell. It is the first novel (by internal chronology) of the author's Asian Saga. A major bestseller, by 1990 the book had sold 15 million copies worldwide. Beginning in feudal Japan some months before the critical Battle of Sekigahara in 1600, Shōgun gives an account of the rise of the daimyo "Toranaga" (based upon the actual Tokugawa Ieyasu). Toranaga's rise to the Shogunate is seen through the eyes of the English sailor John Blackthorne, called Anjin ("Pilot") by the Japanese, whose fictional heroics are loosely based on the historical exploits of William Adams.

Pride and Prejudice

Pride and Prejudice
by Jane Austen


It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. So begins Pride and Prejudice, Jane Austen's classic novel of manners and mores in early nineteenth century England. As the Bennets prepare their five grown daughters to enter into society, each shows personality traits that illuminate their future prospects as wives. Jane, the oldest, is the most demure and traditional, and Lydia, the youngest, the most headstrong and impulsive. Attention centers on haughty second-born Elizabeth, and her blossoming relationship with the dashing but aloof Fitzwilliam Darcy. Adversaries at first in the endless rounds of balls, parties, and social gatherings, they soon develop a grudging respect for one another that blossoms into romance when each comes to appreciate the tender feelings that course beneath the veneer of their propriety and reserve.

First published in 1813, Pride and Prejudice is one of the most popular tales of romance in the English language and a cornerstone of Jane Austen's reputation as one of the greatest novelists of all time. This exquisite collectible edition features an elegant bonded-leather binding, a satin-ribbon bookmark, distinctive stained edging, and decorative marbled endpapers. It's the perfect gift for book-lovers and an artful addition to any home library.

Don Quixote

The Ingenious Gentleman Don Quixote of La Mancha
by Miguel de Cervantes

A Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615, Don Quixote is considered one of the most influential works of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published, such as the Bokklubben World Library collection that cites Don Quixote as authors' choice for the "best literary work ever written". It follows the adventures of a nameless hidalgo who reads so many chivalric romances that he loses his sanity and decides to set out to revive chivalry, undo wrongs, and bring justice to the world, under the name Don Quixote.

 He recruits a simple farmer, Sancho Panza, as his squire, who often employs a unique, earthy wit in dealing with Don Quixote's rhetorical orations on antiquated knighthood. Don Quixote, in the first part of the book, does not see the world for what it is and prefers to imagine that he is living out a knightly story. Throughout the novel, Cervantes uses such literary techniques as realism, metatheatre, and intertextuality. It had a major influence on the literary community, as evidenced by direct references in Alexandre Dumas' The Three Musketeers (1844), Mark Twain's Adventures of Huckleberry Finn (1884) and Edmond Rostand's Cyrano de Bergerac (1897), as well as the word "quixotic". Arthur Schopenhauer cited Don Quixote as one of the four greatest novels ever written, along with Tristram Shandy, La Nouvelle Héloïse and Wilhelm Meister.

Smithsonian Magazine - Jan/Feb 2016

Smithsonian: The Holy Land, January/February 2016
Volume 46, No. 9

Unearthing the World of Jesus

Surprising archaeological finds are breaking new ground in our understanding of Jesus’s time—and the revolution he launched 2,000 years ago

Read more: http://www.smithsonianmag.com/history/unearthing-world-jesus-180957515/#peVBJf7RZSQch3Gl.99
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Under Spring: Voices+Art+Los Angeles

Under Spring: Voices+Art+Los Angeles
by Jeremy Rosenberg


The winner of the first CHS Book Award reimagines what a history book can be, and it tells a story all California needs to hear in order to understand itself. Beneath Los Angeles’s North Spring Street bridge, a deteriorated concrete landscape was used for years as a homeless encampment and a buffer zone between gang territories. Between 2006 and 2013, artist Lauren Bon and her Metabolic Studio team transformed the underpass into a vibrantly creative space that served as a public square, ceremonial ground, art gallery, community garden, and musical instrument. Under Spring explores the unlikely history of this underpass, revealing the past of Los Angeles itself.

 Sixty-six people from all walks of life—artists, scholars, laborers, graffiti artists, urban planners, activists, gang members—chronicle the underpass’s many metamorphoses, and in doing so construct an energized account of change and development in LA. We come to understand how agriculture and transportation have shaped the city’s growth; how abandoned places serve as refuges for people excluded from society; and how civic pride can arise from a city’s blighted core. Under Spring offers a new look at the story of Los Angeles and a new way of telling the story.