Friday, April 22, 2016

Silas Marner

Silas Marner: The Weaver of Raveloe
by George Eliot (Mary Ann Evans)

Silas Marner: The Weaver of Raveloe is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialisation to community.

The major theme of Silas Marner is of course the influence of "pure, natural human relationships," but there are several others. Some of these are never the subject of a direct statement, but constant repetition brings them to the reader's attention, and the novel draws some sort of conclusion about them. One of these themes is the function of religion in society. Another is the use of custom and tradition. There is a more direct consideration, focused on Nancy, of the extent to which "principle" should predominate over sympathy in human relationships. This is closely connected to the question of indulgence versus discipline in human life, as exemplified by the home life of Godfrey and of Nancy. A theme may be mentioned only indirectly and yet be quite explicit in its meaning. One such in Silas Marner is the effect of industrialisation on English society in the nineteenth century. Lantern Yard after the factory has been built is a grimy, dark place full of unhealthy people. There is a sharp contrast between the grim unfriendliness of Lantern Yard and the community spirit of Raveloe, between Silas' life (likened to that of a spinning insect) and the fresh air of the open fields.

In Silas Marner, Eliot combines symbolism with a historically precise setting to create a tale of love and hope. On one level, the book has a strong moral tract: the bad character, Dunstan Cass, gets his just deserts, while the pitiable character, Silas Marner, is ultimately richly rewarded, and his miserliness corrected. The novel explores the issues of redemptive love, the notion of community, the role of religion, the status of the gentry and family, and impacts of industrialisation. While religion and religious devotion play a strong part in this text, Eliot concerns herself with matters of ethics and interdependence of faith and community.

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